Summary: A significant biography of James Baldwin.
There have been several biographies of James Baldwin. David Leemings’ biography is well worth reading, but Leeming was close to Baldwin, working at times as his secretary, travel companion and corespondent. That type of closeness has a benefit to a biographer, but it also has some weaknesses. I tend to think that we get a lot from biographies written by people close to the subject, but we also need a good biography from someone that isn’t personally close to the subject.
Nicholas Boggs is fulfilling that role for Baldwin. Leeming’s biography came out in 1995, but since that time there has not been a full biography of James Baldwin. Boggs main focus is connecting Baldwin’s writing to his life and his life to his writing. And at the same time showing how the fiction informed the non-fiction and how the non-fiction informed the fiction. Lemming discussed the writing as well, you can’t be a biographer of an author like Baldwin without discussing the writing, but I think Boggs made the writing a more central feature of the biography.
It is at the end of the book, one of the main contributions of this biography is a long exploration of Baldwin’s relationship with Yoran Cazac, a french painter that he originally met in Baldwin’s early days in Paris, but with whom they reconnected in the last 1960s. Baldwin had a “type”. He seemed to be attracted to men who were primarily attracted to women but still related well to him. There was a pattern with Lucien Happersberger, Engin Cezzar, David Leeming and Yoran Cazac and others. These men may not have had sexual relationships with Baldwin, but they were relationally intimate. Boggs suggests that Yoran Cazac was the last significant relationship that Baldwin had. Cazac was likely originally introduced to Baldwin through Baldwin’s mentor Beauford Delaney. And it is also likely that it was through Delaney that they became reacquainted.


Summary: An untrustworthy narrator tries to excuse his failures. 




